lolita modası ne demek?

Lolita(ロリータ・ファッション rorīta fasshon), Viktorya ve Edward döneminin çocuk giyiminden ve Rokoko döneminden kalma stillerden etkilenen Japonya'daki modanın bir altkültürüdür.¹²³⁴⁵⁶ Lolita modasının çok belirgin bir özelliği, zarafetin estetiğidir.⁷ Bu giyim alt kültürü üç ana alt stilde kategorize edilebilir: 'gotik', 'klasik' ve 'tatlı'.⁸⁹¹⁰ Ayrıca 'Denizi', 'Kırsal', 'Hime' (prenses), 'Ero', 'Guro', 'Oryental', 'Punk', 'Shiro (beyaz)', Kuro (siyah) ve Steampunk Lolita gibi diğer birçok alt katmanı mevcuttur. Bu giyim tarzı, 1990'larla 2000'lerde Japonya ile diğer ülkelerde oldukça takip edilen yaygın bir altkültüre dönüştü ve daha yaygın hâle gelmesine rağmen 2010'larda Japonya'da azalmaya başladı.¹¹¹²¹³¹⁴¹⁵¹⁶¹⁷¹⁸¹⁹

Galeri

File:Misako Aoki (青木美沙子).jpg|Hime Lolita (Misako Aoki) File:Classic Lolita Style Women.jpg|Klasik Lolita File:Gothic lolita dress.jpg|Geleneksel Lolita File:Gothic lolita takeshita street.jpg|Shiro/Beyaz Lolita (soldaki) ve Kuro/Kara Lolita (sağdaki) File:Nana Kitade.jpg|Tatlı Lolita' (Nana Kitade) File:Sweet Lolita Style Women.jpg|Tatlı Lolita File:Pink gothlolita.jpg|Tatlı Lolita File:Nana Kitade 20070707 Japan Expo 22.jpg|Kırsal Lolita (Nana Kitade) File:Pirate loli.JPG|Korsan Lolita File:Punk Lolita, V&A Museum.JPG|Punk Lolita File:Waloli.JPG%7CGuro Lolita (göz bantlı) özellikli Wa-Lolita File:Dark Lolita (Kodona Style).jpg|Dandy ve Kodona File:Laika ac Yoyogi Lolita (7722152926).jpg|

Kaynakça

Orijinal kaynak: lolita modası. Creative Commons Atıf-BenzerPaylaşım Lisansı ile paylaşılmıştır.

http://hdl.handle.net/10292/2448 Kathryn A. Hardy Bernal (2011) The Lolita Complex: a Japanese fashion subculture and its paradoxes, Auckland University of Technology, New Zealand, p. 20. ↩
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http://scholarworks.gsu.edu/anthro_theses/87/ Chancy J. Gatlin (2014) The Fashion of Frill: The Art of Impression Management in the Atlanta Lolita and Japanese Street Fashion Community, Georgia State University, United States of America, p. 16. ↩
https://dx.doi.org/10.4236/aasoci.2012.24034 A. Jiratanatiteenun, C. Mizup.tani, S. Kitaguchi, T. Sato & K. Kajiwara (2012) Habitual Difference in Fashion Behavior of Female College Students between Japan and Thailand, Advances in Applied Sociology, 260-267, p. 261. ↩
https://eltalpykla.vdu.lt/1/32351 A. Haijima (2013) Japanese Popular Culture in Latvia: Lolita and Mori Fashion, University of Latvia, (Letland), p. 32. ↩
http://repository.wellesley.edu/thesiscollection/391/ K. Coombes (2016) Consuming Hello Kitty: Saccharide Cuteness in Japanese Society, Wellesley College, United States of America, p. 36. ↩
https://dx.doi.org/10.21159/nv.02.02 M. Monden (2008) Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney, New Voices Volume 2, 21-40, p. 29. ↩
Style Spotlight: Gothic Lolita in Belgian Cupcakes Magazine, published by Hilde Heyvaert, vol. 5, 2012. ↩
Style Spotlight: Classic Lolita in Belgian Cupcakes Magazine, published by Hilde Heyvaert, vol. 2, 2011. ↩
Style Spotlight: Sweet Lolita in Belgian Cupcakes Magazine, published by Hilde Heyvaert, vol. 1, 2011. ↩
https://dx.doi.org/10.2752/9781474235327/KAWAMURA0008 Y. Kawamura (2012) Harajuku: The Youth in Silent Rebellion, Bloomsbury Fashion Central, 65-75. ↩
https://eltalpykla.vdu.lt/1/32351 A. Haijima (2013) Japanese Popular Culture in Latvia: Lolita and Mori Fashion, University of Latvia, (Letland), p. 33. ↩
http://eprints.utas.edu.au/15944/ S. Abigail Staite (2012) Lolita: Atemporal Class-Play With tea and cakes, University of Tasmania, Australia, p. 75. ↩
http://scholarworks.gsu.edu/anthro_hontheses/11/ K. Robinson (2014) Empowered Princesses: An Ethnographic Examination of the Practices, Rituals, and Conflicts within Lolita Fashion Communities in the United States, Georgia State University, p. 53. ↩
https://dx.doi.org/10.21159/nv.02.02 M. Monden (2008) Transcultural Flow of Demure Aesthetics: Examining Cultural Globalisation through Gothic & Lolita Fashion, The Japan Foundation Sydney, New Voices Volume 2, 21-40, p. 30. ↩
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